Band

Rik uses…
GIBSON USA Electric Guitars
GODIN Acoustic Guitars
D’ADDARIO Strings
TRAYNOR Amplifiers

Stage Gear:

Gibson Les Paul “Classic” 60’s reissue. [Chambered w/ 500T ceramic magnet pickups.]
Gibson ES-345. [Stock.] Gibson 6 / 12 Doubleneck.
Godin Spectrum Electric Acoustic.

Amplification:
Traynor Custom Special 50. [single 12"] and 100H [4 x 12].
Celestion G12 speakers.

Studio Gear
:
Yamaha LS-36. [Favorite studio acoustic.]
Yamaha L-55 acoustics. [6 & 12.]
Yamaha Pacifica Electrics. [Custom shop w/ Seymour Duncans.]
Yamaha AEX 1500.
Laskin Handmade Classical.
Fender Esquire Japanese reissue. [Customized w/ Barden Pickups.]

This and That…
Electric Pedal – VOX Tonelab SE. Acoustic Pedal – TC Electronics G Natural. D’Addario strings: Electric [.010 to .052.] Acoustic EJ21 [Jazz light .012 to .052.] Rik uses a regular size heavy pick, and also has acrylic nails on his right hand.

In 2007, DEAN reissued a limited edition Flying V from the Triumph Allied Forces era. Rik also owns a Baby Sitar electric, and a collection of Yamaha SLG ’silent’ guitars, as well as a Godin Grand Concert; and a full range of archtop electrics from Yamaha, including a custom AES-2000, an SA-2200, two AES-1500’s, an original issue AEX-1500 [and his Kiyoshi Minakuchi custom shop favourite, "Jackie"].

Mike uses…
FENDER Bass
ROLAND Keyboards
CROWN Amplifiers

Stage Gear
:
Fender Jazz Bass. [circa 1960.]
Fender Precision Bass. [circa 1968, Back up.]
Roland String Machine.
Roland Vocoder.
Moog Bass Pedals.

Amplification:
2 Crown DC 300A Amps
Ashley Audio Preamp
Ashley Audio Parametric EQ
8 Custom Folded Horn Cabinets (2 X 15″, 6 X 12″)

Studio Gear:
Fender Jazz Bass. [circa 1960.]
Warwick Bass.
Ampeg SVT Amplifier.

Gil uses…
ZILDJIAN Cymbals
TAMA Art Star II Drums
AQUARIAN X-10 Graphite Drumsticks
REMO Drumheads

Stage Gear:

Studio Gear:

History of TRIUMPH

The Canadian hard-rock power trio Triumph stands out as a visionary, uniquely influential entity among their fellow brethren. Virtuoso musicianship, soaring melodies and exceptional songs with a positive perspective and outstanding live shows made vocalist / guitarist Rik Emmett, bass guitarist / keyboardist Mike Levine and vocalist / drummer Gil Moore destined for stardom. They defined and epitomized arena rock. Individually, Emmett, Levine, and Moore received countless accolades for their instrumental abilities. Their creative prowess manifested itself in other outlets as well. Levine co-produced some of the band’s early work. Emmett became a cartoonist for Hit Parader magazine. Moore designed Triumph’s phenomenal live show, which consistently evolved over the years and always utilized state-of-the-art lighting, laser and pyrotechnic effects. In fact, Triumph received the influential Performance Magazine’s “Innovators of the Year” award in 1981 for the unique way they changed the arena rock landscape.

Rock & Roll MachineTriumph formed in Toronto, ON, in 1975 after a chance meeting led Emmett, Levine, and Moore to embark on a marathon jam session. They immediately decided to form a band and the debut ‘Triumph‘ was released in 1976 on Attic Records. Triumph’s gift for delicate, intricate pieces and blistering rave-ups was evident on this first album. “Blinding Light Show” and “Street Fighter” are full-bore rockers.

The second album, ‘Rock ‘N’ Roll Machine‘, followed in 1977. The title track is a standout due in large part to Emmett’s light-speed guitar solo. Also included are a cover of Joe Walsh’s “Rocky Mountain Way” and the two-part “New York City Streets” and the adventurous epic medley “The City”. Triumph’s initial popularity developed in an unusual way. Both ‘Triumph‘ and ‘Rock ‘N’ Roll Machine‘ were first released only in Canada and garnered significant airplay in Texas. The “Lone Star State” has always been a prime United States market for hard rock and fans responded so favorably that Triumph specifically undertook a Texas tour to promote Rock ‘N’ Roll Machine.

Triumph RocksRCA Records signed Triumph on the strength of the positive buzz generated and the band’s steadily increasing notoriety, and in 1978 released a compilation off the first two albums titled ‘Rock ‘N’ Roll Machine‘.

In 1979, the album ‘Just a Game‘ was a commercial breakthrough. It generated the band’s first Billboard Top 40 hit single, “Hold On.” Another notable single was “Lay It On the Line”, which was a smash at rock radio. ‘Just a Game‘really solidified Triumph’s relationship with their fans and rock radio. The album was certified gold, the band’s first in the US. Next up was 1980′s ‘Progressions of Power‘ and its single “I Can Survive”. The sizzling anthem “I Live for the Weekend” was a big hit in the United Kingdom and a Friday-at-5:00 staple in the US. 1981 saw Triumph explode into the mainstream with ‘Allied Forces‘. It immediately went gold and eventually platinum. This album became a critical and commercial smash, reaching #23 on the Billboard charts. Its standout song “Magic Power”", was a hit single and “Fight the Good Fight” was another fan favorite. Both songs are still staples on rock radio stations. Rik's GuitarsNever Surrender‘ followed in 1983 and went gold due in part to rock radio’s airplay of the powerful “A World of Fantasy”. It was during the ‘Never Surrender‘ tour that Triumph took part in the US Festival in San Bernardino, CA. The band was a cornerstone of what became popularly known as the festival’s “Heavy Metal Sunday” on May 29, 1983. An estimated crowd of 500,000 people rocked along to Triumph as well as Van Halen, Scorpions, Judas Priest, Ozzy Osbourne, Motley Crue and Quiet Riot. Thunder SevenTriumph and RCA parted ways and the band signed with MCA Records. ‘Thunder Seven‘ (appropriately titled since it was the band’s seventh album) — was released in 1984. Triumph co-produced ‘Thunder Seven‘ with legendary producer and engineer Eddie Kramer, famed for his work with Led Zeppelin, the Beatles, Jimi Hendrix, Kiss, and others. The album became another gold seller, with the popular single “Follow Your Heart” and another highlight, “Spellbound”. The tour was arguably Triumph’s most awe-inspiring, as it was a sold-out trek that showed once and for all that the group was one of the few arena headlining acts that truly pushed intricate lighting and lasers to the max. After a decade together as one of the most popular live acts of the time, the long overdue double live album ‘Stages‘ was issued in 1985. The songs were recorded on the road between 1981 and 1985. 1986′s ‘The Sport of Kings‘ marked a career high point when the infectious “Somebody’s Out There” reached #27, becoming a major hit single. “Just One Night” was a Top 10 smash on MTV’s video chart. The muscular “Tears in the Rain” also thrilled the Triumph faithful. ‘The Sport of Kings‘ was produced by Mike Clink, who followed this project with Guns ‘N Roses’ ‘Appetite for Destruction’ due in part to his work with Triumph. ‘Surveillance‘ hit the streets in 1987. With this album, Triumph broadened its studio approach by adding guest guitarist Steve Morse (formerly of the Dixie Dregs and a member of Kansas at the time), who dueled with Emmett on “Headed for Nowhere”.

In 1988, Emmett left Triumph to pursue a solo career. The best-of album ‘Classics‘ was released in 1989 and yet another gold album was added to Triumph’s tally. While there is no denying the greatness of the material included on ‘Classics‘, it was a set that was issued to fulfill the group’s contractual commitment with the label, and as a result was not all it could have been – especially in the packaging department.

Levine and Moore recruited new vocalist / guitarist Phil X, a fellow Canadian formerly of Aldo Nova’s band and Frozen Ghost. Triumph contributed the song “Troublemaker” to the soundtrack of 1992′s Hellraiser III: Hell on Earth. In 1993 the new lineup released ‘Edge of Excess‘ on Victory Music, which featured “Troublemaker” and “Child of the City”. In 1995, the entire Triumph catalog was remastered and reissued on CD: ‘In the Beginning‘ (which was the first Triumph album) and the original version of ‘Rock ‘N’ Roll Machine‘, appeared that year.

During this era, Levine and Moore were hard at work at the Metalworks Studios facility in Mississauga, ON, preparing Triumph DVD and CD releases from the vaults. The band built Metalworks Studios long ago for its own recording use but it has become a highly revered, in-demand destination for other artists. In fact, Metalworks Studios was voted the #1 studio countless years in a row at the Canadian Music Industry Awards. The legendary US Festival performance has been preserved as well. ‘Live at the US Festival‘ was released separately on DVD and CD by TML Entertainment Inc. on September 23, 2003. Another vintage Triumph DVD surfaced soon after on March 23, 2004, ‘A Night of Triumph‘, which featured a sold out performance filmed on January 16, 1987 at the Halifax Metro Centre, NS. With the advent of new mastering technologies, all of Triumph’s classic studio albums were remastered at Metalworks, repackaged and released during 2005 — as part of the TML “Millennium Remasters” series, replacing the old catalog. Upon Triumph being inducted into the Canadian Music Industry Hall of Fame on March 10, 2007, the classic Emmett-Levine-Moore line-up was reunited once more, with friendships being rekindled. A year later fans’ prayers were answered as Triumph united to play at the Sweden Rock Festival in June 2008, and headlining a night at the mammoth Rocklahoma Festival on July 11, 2008. The same year, the group was also inducted into the Canadian Music Hall of Fame as part of the Juno Awards joining such luminaries as Neil Young, Joni Mitchell, The Guess Who, Rush, and Bryan Adams. Greatest HitsWith Triumph’s music reaching a whole new generation of fans via “Lay It on the Line” being made available for download for the Guitar Hero 5 video game in late 2009, and pressure from the existing fans, the time was right for the group to create a fantastic hits package. Released on May 18, 2010, ‘Greatest Hits: Remixed‘ includes all of the Triumph classics, but with simply awe-inspiring sonics, with Rich Chycki (who has previously worked with Aerosmith and Rush), remixing all of the tracks. The deluxe, two-disc set, ‘Greatest Hits: Remixed‘, clearly is just what the fans were expecting. As well as the remixed CD, it also includes a DVD mixed in 5.1 audio, featuring fourteen promo and live videos in widescreen, the band’s Hall of Fame Inductions, and comes with a 20-page color booklet, complete with liner notes, lyrics, and chock full of vintage photos. The fans have spoken, and now they have what they so rightfully deserve… the ultimate Triumph experience!

35 years after bursting onto the scene one thing is crystal clear: Triumph’s legacy lives on.

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ACCOUNTABILITY

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IDENTIFYING PURPOSE

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CONSENT

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OPENNESS

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CHALLENGING COMPLIANCE

An individual will be able to address a challenge concerning compliance with this Privacy Policy.

Contact Information

If you have questions we are here to help! There are several ways to contact us:

Email:

help@TriumphMusic.com

Phone:

+1 (416) 469-9809

Please specify your name, order number, phone number, and your question when leaving a message.

Post:

TriumphMusic.com 2238 Dundas Street West P.O. Box 59039 Toronto, Ontario M6R 3B5 Canada

TriumphMusic.com Terms of Use

PLEASE READ THESE TERMS AND CONDITIONS OF USE (“TERMS OF USE”) CAREFULLY. BY ACCESSING THIS WEBSITE AND ANY PAGES OR MATERIALS CONTAINED IN THIS WEBSITE, YOU AGREE TO BE BOUND BY THE TERMS OF USE SET FORTH BELOW. IF YOU DO NOT AGREE TO ALL OF THE TERMS SET FORTH BELOW, PLEASE LEAVE THIS SITE IMMEDIATELY AND DISCARD OF ANY ASSOCIATED PAGES OR MATERIALS WHICH YOU MAY HAVE STORED.

This website is operated on behalf of Triumph (the “Operator” and the “Artist”, as indicated). All pages, data, pictures, music, materials and information contained on this website are the property of the Artist and Operator, or used under license. The Operator reserves the right, in its sole discretion, to change, modify, add, or remove any portion of this website or these Terms of Use, in whole or in part, at any time for any reason.

Changes to this Policy

Changes to these Terms of Use are made effective when they are posted on the website. By accessing this website hereinafter you will be considered as accepting of those changes. These Terms of Use govern your use of this website. In the event that you do not comply with these Terms of Use the Operator, at its sole discretion and without notice, may block or restrict your access to this website in addition to pursue legal action against you where granted by governing law.

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If you have questions regarding the use of the materials on this website, please contact us.

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By linking to this website you indicate acceptable to these Terms of Use and the legal restrictions that are part of it. If you do not accept or abide by these guidelines do not link to this website. By linking to this website you agree that you will not:

Limited License

The Operator grants you a non-exclusive, non-transferable, limited right to access, use and display this website and the materials thereon; provided, however, that you comply with these Terms of Use. You agree not to disrupt, interrupt or attempt to interrupt the operation of the website in any way. You agree not to change or delete any proprietary notice from materials downloaded from the website. You agree to comply with all trademark, copyright and other laws worldwide in your use of this website and to prevent any unauthorized copying of the materials and information contained on this website. Except as expressly provided herein, the Operator and/or the Artist does not grant any express or implied right to you under any patents, trademarks, copyrights or trade secret information.

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You agree to indemnify, defend and hold harmless the Operator, the Artist, its officers, directors, employees, agents, licensors, suppliers and any third party information providers to the website against any and all losses, expenses, damages and costs, including reasonable attorneys’ fees, incurred in relation to, arising from the use of this website (including a breach of these Terms of Use), the content, materials, Submissions and functions of this website, even if it the Operator and/or the Artist are expressly advised of the possibility of such damages.

The Operator and/or the Artist cannot and does not guarantee or warrant that any of the materials available for downloading through this web site will be free of infection of viruses, worms, trojan horses or other code that has an intent other than what the description of the content says. You are responsible for implementing sufficient safe guards and procedures to satisfy your requirements for the security and safety of your systems. By accessing this website you assume total responsible and risk for the use of the materials on this website.

Incorrect Information

The materials and information contained on this website may contain inaccuracies and/or typographical errors. The Artist and/or the Operator does not warrant the accuracy or completeness of the materials or other information displayed or distributed through the website. You acknowledge that any reliance on this information shall be your sole risk. The Operator and/or the Artist reserves the right at its sole discretion to make corrections or omissions to any portion of this website without notice.

This website, the information and materials provides on this website are provided “AS IS” and the Operator and/or the Artist does not make any express or implied warranties, representations or endorsements whatsoever including, without limitation warranties of title or non-infringement, or the implied warranties of merchantability or fitness of any particular purpose with regard to the website, any merchandise, information or service provided through the website. As a result the Operator and/or the Artist shall not be liable for any cost or damage arising either directly or indirectly from any such transaction.

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Just as the Artist and the Operator requires users to respect our copyrights, and those of our affiliates and partners, we respect the copyrights of others. If you believe in good faith that your copyrighted work has been reproduced on our website without authorization in a way that constitutes copyright infringement we ask that you contact us. Any personal information you provide in your email will be used only for purposes related to your email.

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Some of the links on this web site will take you to third party sites. Where possible the Operator has taken care to provide you notice that you are leaving the website. If you decide to visit any third party site you do so at your own risk and take responsibility of taking protective measures to guard against malicious content on the third-party site. The Artist and/or the Operator does not control these linked sites and is not responsible for their contents and as makes no warranty or representation regarding the information contained on third-party sites. These links are provided to you for your convenience and the inclusion of the link does not imply endorsement of the website by the Artist and/or the Operator.

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This website is operated and administered from within Canada. Use of this Site shall be governed by all applicable Federal laws of Canada in addition to the laws of the Province of Ontario, without giving effect to its conflict of laws provisions. You agree to submit to the jurisdiction of the courts located in the Province of Ontario, for the resolution of all disputes arising from or related to these Terms of Use and/or your use of this website.

Copyright

The materials of this website are protected by Copyright and Trademark Laws of Canada and other countries and are owned by, or licensed to the Operator. Except as set out herein, all content of this website is owned or controlled by the Operator and/or the Artist. You may download content only for your personal use for non-commercial purposes but no modification or further reproduction of the content is permitted. The contents of the website, including any images, text, binary programs or information, and layout design may not be distributed, reproduced, publicly displayed, downloaded, modified, reused, re-posted, or otherwise used except as outlined in the Permitted Use section.

We are always happy to hear from you. Please note that if you send us suggestions, ideas, pictures, emails, electronic posts, letters or other information or data (collectively, “Submissions”), we may not return the Submissions to you. Once submitted, the Operator shall be entitled to unrestricted, unlimited, use of the Submissions for any purpose whatsoever, without compensation to you. You confirm that you waive all moral rights related to the Submissions. You warrant that you are able to grant the rights expressed above.

© The Artist and the Operator (2005 – 2010). All Rights Reserved.

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How To Get Info and/or Contact Us:

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Please use the following addresses and telephone numbers to contact the people and business interests in our organization.

Public Relations
Chipster PR & Consulting, Inc.
Chip Ruggieri
356 Golfview Road, Suite 408
North Palm Beach,  FL 33408
561-691-1652
Chip@ChipsterPR.com

Distribution
Alternative Distribution Alliance
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12th Floor
New York, NY 10012
USA
Phone: (212) 343-2485

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